Contributors

For over a century, El Palacio has been a forum for voices exploring New Mexico’s art, archaeology, history, and landscape. Explore the writers, photographers, historians, and scientists whose perspectives have defined the magazine’s pages—past and present.

Molly Boyle

Molly Boyle is the managing editor of New Mexico Magazine. She is an experienced arts and culture writer, having written articles for El Palacio magazine, New Mexico Magazine, the Santa Fe Reporter, the Albuquerque Journal, and other outlets.

Challenging History

By Charlotte Jusinski The town of Fort Sumner, New Mexico, is quiet and pastoral. The streets of the farming and ranching community are gravelly and pocked, and rusty signs for Billy the Kid’s grave or Fort Sumner Lake dot the shoulders like tired but richly patinaed sentinels. Sometimes the whole town smells vaguely of petrichor, thanks to the Pecos River lurching lazily through the plains nearby, and irrigation ditches lining the streets fill the fields thick with green crops each spring and summer.

It’s In the Telling

By Molly Boyle On January 20, 2021, when 22-year-old Amanda Gorman read her poem “The Hill We Climb” at the presidential inauguration of Joe Biden, the pandemic-stricken world sat up and took notice. Gorman’s poetry, which combined nimble wordplay with the hopeful verve of youth at the dawn of a new era, was elevated by her electric delivery of 723 words.

Whatever Decided Them

By Molly Boyle THEY CAME TO THE LUSH, vast land east of Las Cruces from places like Texas, Oklahoma, Socorro, and Magdalena in the waning years of the nineteenth century. To them, the Tularosa Basin looked like prime ranching country, sided by the Sacramento Mountains in the east and the San Andres and Oscura ranges to the west. In the wet years of the 1880s, when people trickled into the basin with herds of cattle and sheep, native grasses grew to the height of a horse’s shoulder.

History with a Grain of Salt

By Molly Boyle According to an old saw, history is written by the victors. But depending on who gets to create the official record, it can also be composed by the losers—or by those who weren’t even there. When graphic novel artist Turner Avery Mark-Jacobs was invited by the New Mexico History Museum to do his own rendering of the battle depicted in the museum’s Segesser II hide painting, he sifted through multiple narratives of the ill-fated 1720 Spanish military expedition of Pedro de Villasur.