Contributors

For over a century, El Palacio has been a forum for voices exploring New Mexico’s art, archaeology, history, and landscape. Explore the writers, photographers, historians, and scientists whose perspectives have defined the magazine’s pages—past and present.

Arthur Sze

Arthur Sze is the current U.S. Poet Laureate. Sze is a poet, translator, and editor. He is the author of twelve books, including Into the Hush, Sight Lines, and others. Sze’s poems have been translated into fifteen languages, and he is the recipient of the National Book Award among many other honors. He lives in Santa Fe.

Deborah Jackson Taffa

Deborah Jackson Taffa is a citizen of the Quechan Nation and Laguna Pueblo. Her memoir Whiskey Tender was a 2024 National Book Award Finalist and was longlisted for the 2025 Carnegie Medal for Excellence in Nonfiction. Taffa serves as the director of the MFA in creative writing program at the Institute of American Indian Arts.

Cara Romero

Cara Romero is an award-winning contemporary fine art photographer. An enrolled citizen of the Chemehuevi Indian Tribe, Romero’s expansive oeuvre has been informed by formal training in film, digital, fine art, and commercial photography. She maintains a studio in Santa Fe, regularly participates in Native American art fairs, and was featured in PBS’ Craft in America (2019).

Dave Herndon

Dave Herndon (opens in a new tab) is a writer and editor based in Santa Fe.

A museum display case with colorful graphic art, a framed photograph, a red brick panel, and decorative objects on wooden flooring. [gen-ai]

Where Worlds Collide

BY DAVE HERNDON In the fifties and sixties, Alexander Girard’s status as both a Modernist designer and a prolific consumer of folk art might have seemed hopelessly irreconcilable. After all, what could Mad Men-era commercial design possibly have in common with, say, clay totems or weavings produced in the Peruvian highlands, Mexican pueblos, or remote villages of India or Poland? It would have required some vigorous leaps of the imagination, a forensic eye for detail, lots of travel, and intimate knowledge of Girard’s accomplishments as creator and collector to develop a unified theory for the seemingly far-flung spheres of his aesthetic vision.