Contributors

For over a century, El Palacio has been a forum for voices exploring New Mexico’s art, archaeology, history, and landscape. Explore the writers, photographers, historians, and scientists whose perspectives have defined the magazine’s pages—past and present.

Steven Caras

Steven Caras (opens in a new tab) began studying ballet at the age of fifteen. Three years later, he was invited to join the New York City Ballet by its founder, the legendary George Balanchine. Noting Caras’ inseparable bond with his used Olympus camera, Balanchine granted him full access to document all aspects of company activity – a world few were privy to. His mentor’s encouragement planted the seed that would grow into a second career for Caras. For more than four decades, his work has continually appeared internationally in prominent publications, films and documentaries, exhibitions, and private collections.

Dancing Back to the Desert

I follow Jock Soto across the TV screen, measuring his movements in lengths. The length of an arm, reaching out, every finger engaged with emotion. The length of his neck as his head looks skyward, his black hair blending into the stage, his brown throat exposed, veins pulsing. The length of his legs fluttering through the air in a moment of ethereal flight.