Contributors

For over a century, El Palacio has been a forum for voices exploring New Mexico’s art, archaeology, history, and landscape. Explore the writers, photographers, historians, and scientists whose perspectives have defined the magazine’s pages—past and present.

Cynthia Baughman

Cynthia Baughman served as the editor of El Palacio magazine from 2010 to 2015. Cynthia and her husband moved permanently from the Philadelphia area to Tesuque Village in 2010. Born in Tennessee, Cynthia grew up in Washington DC, earned a BA in English from Dartmouth College and an MFA in Creative Writing from Cornell, and taught writing at Ithaca College and Temple University before working with the New Mexico Department of Cultural Affairs.

Shakespeare’s First Folio Comes to Santa Fe

When William Shakespeare died in 1616, eighteen of his plays, including Macbeth, The Tempest, and As You Like It, had not been published. Seven years later, in 1623, two members of his troupe collected his plays into Mr. William Shakespeares [sic] Comedies, Histories, & Tragedies, a book now referred to as the First Folio, and one of the most important in the history of print.

The Summer of Color

The spectacular exhibition at the Museum of International Folk Art, The Red That Colored the World, has been years in the planning and is only here for the summer. You should not miss it. Curators Barbara Anderson, Nicolasa Chávez, and Carmella Padilla have assembled from around the world diverse works of art, fashion, and material culture which have at least one thing in common: their color derives from a little bug.

From Bombs to Baubles

This spring we mark the seventieth anniversary of the first detonation of the atomic bomb with an essay by distinguished cultural critic Lois Rudnick on a group of “Atomic Artists,” as she calls them, who span several generations in New Mexico. Rudnick begins with Cady Wells, the subject of her fall 2012 El Palacio article and her book Cady Wells and Southwestern Modernism (published by the Museum of New Mexico Press) and continues through the 1960s to artists working today.