Read Each Stone Has Its Face An artist stands on a lift, holding the railing, in front of a colorful mural with large, expressive faces and figures painted on the wall and ceiling. [gen-ai]

Each Stone Has Its Face

BY ALIX I. HUDSON On a brilliant, hot August morning, I met with Frederico Vigil to speak inside his virtuosic fresco Mundos de Mestizaje, which he created over the course of a decade. Located inside El Torreón at Albuquerque’s National Hispanic Cultural Center, it measures over 45 feet tall and covers 4,000 square feet; it is North America’s largest concave fresco.

Categories: New Mexican cultures

Read The Punchline at the End of Art Brown and white ceramic plate with a central illustration of two Indigenous figures by water, one standing and one sitting, surrounded by a checkered and swirled border pattern. [gen-ai]

The Punchline at the End of Art

BY EMILY WITHNALL One of Diego Romero’s favorite activities is watching people react to his art. He keeps a low profile and usually not even the security guards know he’s the artist. Hiding in plain sight, he looks on as people study his Pueblo-inspired pots with comics painted inside them. With work in places like the British Museum, the Cartier Foundation, and the Metropolitan Museum of Art, Romero has lurked in numerous museums around the world over his 30-year career and delights in the groans, sighs, and chuckles his art elicits.

Categories: Artist profiles, Featured, Indigenous arts and cultures

Read Make It New Surreal landscape with a dark reclining figure, a floating yellow shape with spiral ends, and a cluster of white stars against a blue and purple sky. [gen-ai]

Make It New

BY CHARLOTTE JUSINSKI Do you smell that?Yeah, me too. It smells like a 2020 model car, fresh off the lot. Or the spine of a book just plucked from the store shelf. Or a new pair of hiking boots with the tissue paper still taped around them in the box. It smells like new stuff. This issue of El Palacio is full of it.

Categories: Editor's Letter

Read The Mystery of the Penitentes A group of people stands and kneels near a roadside memorial with large crosses in a snowy, rural area bordered by trees and a wire fence. [gen-ai]

The Mystery of the Penitentes

BY CHARLIE M. CARRILLO & FELIPE R. MIRABAL The mystery of the Hermanos or Penitentes that belong to the Cofradía de Nuestro Padre Jesús Nazareno has baffled and fascinated scholars, journalists, Protestant missionaries, and the local Catholic clergy for decades. The story of the Hermanos Penitentes begins in the Santa Cruz Valley in Northern New Mexico at the beginning of the nineteenth century.

Categories: Essays and memoir, Visual art

Read ¡No Pueden Pasar! A person in a costume and hat holds a lantern and a scroll, crouching beside a campfire at night. [gen-ai]

¡No Pueden Pasar!

BY NICOLASA CHÁVEZ New Mexico is a magical place during the holiday season. Farolitos (little lanterns made of a candle in sand in a paper bag), luminarias (bonfires), biscochitos, and tamales abound, and locals and tourists alike enjoy centuries-old traditions unique to our state. Some of the most beloved are dramatizations, often accompanied by music, of the Nativity. Each ceremony has its own regional adaptation unique to the setting in which it is celebrated, but the central messages remain the same.

Categories: Featured, Southwestern history

Read From Ineffable to Incandescent Surreal landscape with a dark reclining figure, a floating yellow shape with spiral ends, and a cluster of white stars against a blue and purple sky. [gen-ai]

From Ineffable to Incandescent

BY NICOLE PANTER DAILEY Trauma forms people. It frames their actions and reactions. It determines what a person believes and how they move through the world. That the artist Agnes Pelton grew from a frail, sickly, quiet child into a frail, sickly, deeply introspective young woman prone to depression becomes less of a surprise when her personal and family history is explored—and the complexity of her seminal paintings can be appreciated all the more with a clear knowledge of this history.

Categories: Visual art

Read Perceptions of Passion A statue of a friar stands on a rooftop overlooking an adobe village, with a cross, bouquet, and hammer nearby under a cloudy sky. [gen-ai]

Perceptions of Passion

BY CHRISTIAN WAGUESPACK Since the end of the nineteenth century, artists of European descent have been continuously drawn to New Mexico, captivated by everything that we still treasure as unique to our region: the stunning light, the rich multicultural tapestry, the dramatic natural vistas. But as often as they filled their canvases with Indigenous subjects, golden aspens, or sun-drenched mountains, they were equally fascinated with the Hispanic community that has called New Mexico home for centuries.

Categories: Visual art