Loti, Laguna Pueblo
BY DANIEL KOSHAREK Karl Moon was born in Wilmington, Ohio, in 1878 and moved to Albuquerque, where he established a photography studio in 1904. [wonderplugin_slider id="165"] (more…)
Categories: Framework, Visual art
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BY DANIEL KOSHAREK Karl Moon was born in Wilmington, Ohio, in 1878 and moved to Albuquerque, where he established a photography studio in 1904. [wonderplugin_slider id="165"] (more…)
Categories: Framework, Visual art
Turquoise has become so closely associated with New Mexico that I was surprised to realize that Gustave Baumann (1881–1971), the consummate visual interpreter of Santa Fe and its environs, made only sparing use of it in his colored woodblock prints. There it is, outlining a window or door surround in the depiction of an adobe house or, on occasion, one of the many tints he used to capture the effects of the ever-changing New Mexican sky.
Categories: Visual art
A 1960s wave of ecclesiastical urban renewal convinced priests at mission churches throughout the Americas to ditch their centuries-old artwork. Considered inferior to fine European art, the locally made pieces found little favor with galleries or museums. But Charles W. Collier, then a cultural attaché to Bolivia, and his wife, Nina Perera Collier, knew a treasure when they saw one. The couple began purchasing and obtaining pieces that eventually formed the backbone of the International Institute of Iberian Colonial Art, once based at their Los Luceros estate in northern New Mexico.
Categories: Uncategorized
In an initiative titled Focus on Photography, the New Mexico Museum of Art is devoting its three upstairs galleries to a variety of changing photography exhibitions for a full year, from March 7, 2014, through March 15, 2015, presenting numerous opportunities for visitors to look at, learn about, and discuss this ubiquitous and evolving form of picture making. The second installment of exhibitions will be on view from August 30 through December 7, 2014.
Categories: Visual art
The twenty-four-foot bronze sculpture Apache Mountain Spirit Dancer stands tall on Milner Plaza in front of the Museum of Indian Arts and Culture, against a backdrop of New Mexico sky and the Sangre de Cristo Mountains. The work was purchased in 2004 with funds provided to the Museum of New Mexico Foundation from Sam and Ethel Ballen and has graced Museum Hill with its charismatic presence since.
Categories: Dance, Visual art
New Mexico’s adoration of the turquoise stone is palpable. Whether native, transplant, transient, or tourist, denizens of the state are wearing it, admiring it on others, or coveting it in the windows of jewelry shops or the displays of artists. But turquoise is not just a Southwest thing. It is cherished all over the world. Take for example, the Himalayas.Treasured by Tibetans, turquoise adorns images of deities, ritual and secular objects, clothing, and people.
Categories: Visual art
In October 2008, the Santa Fe Community Convention Center opened at the northeast corner of Grant Avenue and West Marcy Street, just a few blocks north of the plaza. The property has a long and vibrant history. Prior to the Convention Center, going backwards in time, the property housed the Santa Fe Civic Center, Santa Fe High School, portions of the Fort Marcy Military Reservation, portions of the Spanish presidio, and a large Pueblo village.
Categories: New Mexican cultures, New Mexican history, Southwestern history
Turquoise, Water, Sky: The Stone and Its Meaning, the new exhibition curated by Maxine McBrinn at the Museum of Indian Arts and Culture, inspired the many perspectives on turquoise in this issue. (more…)
Categories: Editor's Letter
The scattered presence of turquoise along North America’s Turquoise Trails reveals a surprising history. Some of the most notable of these trails originate at the ancient mines of the Cerrillos District near Santa Fe, spanning a millennium and reaching thousands of miles in every direction. Archaeological evidence at the Cerrillos mine sites dates back to at least AD 900, and the materials mined there were traded throughout the Southwest and into Central America.
Categories: Featured, Visual art
Jewelry making in the Southwest has a long history, and the Ancestral Pueblo people left behind elegant necklaces of black, white, red, and turquoise beads, as well as pendants and inlaid objects. Some of the most spectacular items were found in Chaco Canyon, New Mexico, in the site named Pueblo Bonito, a great house excavated by George Pepper in the late 1890s and Neil Judd during the 1920s.
Categories: Featured