In It Together
Becoming a conservator involves education, tradition...and channeling Macgyver. [...]
Issues
MAKING HISTORY
Cutting-edge, technology-driven operas may not seem like an immediate fit with the New Mexico History Museum, but if the goal is to explore emerging technology through the lens of history, this partnership is the solution. [...]
Negotiate, Navigate, Innovate
The exhibition Negotiate, Navigate, Innovate: Strategies Folk Artists Use in the Global Marketplace opens June 9 in the Museum of International Folk Art’s Gallery of Conscience. It explores the ways in which folk artists from around the world and in New Mexico work within the global market setting. [...]
Free to Be You and Me
BY CANDACE WALSH Once upon a time, I was a child in the seventies with hippie parents. Want proof? If I had [...]
The View from Out There
BY CHRISTIAN WAGUESPACK “I think New Mexico is the greatest experience I ever had from the outside [...]
Ages and Stages
The Museum of Art’s St. Francis Auditorium— a sanctuary for the soul of Santa Fe—turns 100. [...]
A Different Angle
Sleeping During the Day: Vietnam, 1968, curated by Daniel Kosharek, includes thirty-three black-and-white images on view through October 1, 2017. Kosharek is photo curator at the Palace of the Governors Photo Archives, which has housed the Herbert Lotz Collection since 2008. A survey of Lotz’s personal letters from Vietnam accompanies the photographs. [...]
Headed into the Wind
BY JACK LOEFFLER I was a seventeen-year-old senior in high school when I received news that I had failed my [...]
The Art Of Listening
What is a need? Lama founder Barbara Durkee (now Asha Greer), speaking about the 1967 founding of Lama Commune just north of Taos, explains that she knew there was a need for water, and hot water at that; here in New Mexico there is always a need for water. Her needs did not extend much beyond that. Experiencing a back-tothe land lifestyle on the side of a mountain was the real need she was attempting to fulfill. The pursuit of this desire was one of the many products of the rise of the 1960s and 1960s counterculture in the American Southwest. [...]
Drawing Near To The Divine
"SUPPOSE ONE COULD CATCH THEM BEFORE they become ‘works of art?’ Catch them hot & sudden as they rise in the mind.” In her diary, Virginia Woolf examined the stuff of thought, its shape and contours as well as its inherent slipperiness. While she was largely concerned with literature, her questions apply just as well to the visual arts. What does an idea look like before it is labored over, crafted, and shaped into a finished piece? [...]
Dressed for Success in the West
In 1865, New York Tribune editor Horace Greeley famously urged, “Go West, young man, and grow up with the country.” The imperative suggested economic opportunity, and indeed boundless opportunities greeted the young men and women who struck out on wagon trains and horseback to make their fortunes in the West. But the young, restless, and unemployed also saw the opportunity as a chance to reinvent themselves by tossing off Eastern conventions. [...]
Rooted In History
As I enter the Palace of the Governors, I often stop at the doorway on the left. It opens onto an austere room—the Office of the Governors—where locally made wooden chairs sit around a table, representing long gone administrations: Spanish, Mexican, Territorial. [...]
Picturing the Future
Cultivating, weaving, and dyeing cotton were regular parts of Mo Aiqun’s childhood. Born in 1958 in the Zhuang village of Sanbao (Tian’e County, Guangxi), she began learning to sew and embroider when she was thirteen. Like many young women in her community, she arrived at her new husband’s home with quilts she made for her dowry. [...]
Vietnam 1968
Vietnam, the televised war, the war that divided us, the war we did not win. Some of us unavoidably served in it, others protested it, many young men died. There is no shortage of photographs documenting the horrors of this “police action.” Military photographers and the free press took millions of photographs of the Vietnam conflict between 1962 and 1975. [...]
Trunk Show
I have watched as visitors to the Museum of International Folk Art stop in their tracks before a wall of cut-paper silhouettes, intrigued and perplexed. Perhaps they are recalling the snowflakes they made in grade school by folding and snipping paper in simple patterns. They recognize that this is something else, not only in the complexity of design, but also in the content of the imagery. [...]
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