The Past in Play

BY PAULINA F. PRZYSTUPA AND C. L. KIEFFER
Although toys are frequently part of the archaeological record, they are rarely a major part of archaeological museum collections. Only the best examples of toys make their way into exhibits, leaving the doll fragments and Lego-esque parts uninvestigated and undisplayed. (more…)

Dr. C.L. Kieffer Nail is the registrar at the Museum of Indian Arts & Culture, a division of New Mexico Department of Cultural Affairs. She previously served the department as the Historic Preservation and Interpretation Specialist for New Mexico Historic Sites. Kieffer has nearly two decades of museum experience in collections and exhibitions from previous roles with the Autry National Center, the Maxwell Museum of Anthropology, and the Wheelwright Museum of the American Indian. She holds a bachelor’s in anthropology from the University of California Riverside, a master’s in anthropology from California State University Los Angeles, a master’s in Museum Studies from the University of New Mexico, and a doctorate in anthropology with an emphasis on Archaeology from the University of New Mexico.

Paulina F. Przystupa is a Filipine-Polish-American-Canadian settler in North America and PhD-holding archaeologist who explores how people learn about the past, how people learned historically, and how the built environment factors into learning. She is also a post doc at the Alexandria Archive Institute, where she creates open educational resources for archaeology.

Beyond Labels

BY THOMAS LEECH
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Tom Leech has nearly fifty years’ experience in printing, papermaking, and book arts. From 2001 through 2021 he was the curator of the Press at the Palace of the Governors. He received the 2013 Santa Fe Mayor’s Award for Excellence in the Arts, the 2014 Carl Hertzog Award for Excellence in Book Design, and the 2015 Edgar Lee Hewett Award. Several of Tom’s marbled and handmade papers are in the collection of the Metropolitan Museum of Art. Tom is also published with the Museum of New Mexico Press, featuring Gustave Baumann & Friends: Artist Cards from Holidays Past and Printing the Spirit: Gustave Baumann’s Santos.

Falling Apart and Coming Together

BY PETER BG SHOEMAKER

Some pots want to be seen again. —Larry Humetewa

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Peter BG Shoemaker is a Tbilisi-based writer and frequent contributor to El Palacio on conservation matters.

Lloyd’s Treasure Chest

BY FELICIA KATZ-HARRIS
After a four-year hiatus, our special open-storage gallery, Lloyd’s Treasure Chest, is reopening with a fresh face. Visitors can take the Vehicle to the Vault (formerly known as the elevator) to the new Treasure Chest, a place for visitors to explore, interact, and create folk art. (more…)

Felicia Katz-Harris is the Director of Curatorial Affairs at the Museum of International Folk Art in Santa Fe, New Mexico. For nearly twenty years, she was the museum’s Curator of Asian, Middle Eastern, and Oceanic Folk Art at the Museum of International Folk Art in Santa Fe, New Mexico. Her past exhibitions include Yōkai: Ghosts & Demons of Japan, Tako Kichi: Kite Crazy in Japan and the award-winning Dancing Shadows, Epic Tales: Wayang Kulit of Indonesia, which won an award from the American Alliance of Museums for overall excellence in museum exhibitions.

Flex Time

BY CANDACE WALSH
I can stand outside of the Udall Building, throw a rock, and hit Old Santa Fe Trail (and hopefully not someone’s car in the process). That’s how close my office and my orientation are to this end of it. But in the spirit of 2017, a very disorienting year so far, this issue offers multiple doses of the good kind of disorientation. (more…)

Candace Walsh (opens in a new tab) is a former editor of El Palacio. Currently, she is an assistant professor of creative writing at Central Washington University. Walsh holds a PhD in creative writing from Ohio University and an MFA from Warren Wilson College. Candace has worked on staff at Condé Nast International, Mothering Magazine, and as the managing editor of New Mexico Magazine. Her writing has appeared in numerous national and local publications. Walsh is the author of Licking the Spoon: A Memoir of Food, Family, and Identity (Seal Press 2012), a 2013 New Mexico – Arizona Book Awards winner, and two of the essay anthologies she co-edited were Lambda Literary Award finalists: Dear John, I Love Jane and Greetings from Janeland.

Trading Places 

BY FRANCES LEVINE
Before I moved to Saint Louis, I must admit that I only thought about the impact, challenges, and changes that the Santa Fe Trail brought to New Mexico. (more…)

Frances Levine (opens in a new tab) is the president of the Missouri Historical Society, St. Louis, and the former director of the New Mexico History Museum. Levine holds degrees in anthropology: a PhD and MA from Southern Methodist University and a BA from the University of Colorado. Among a list of distinguished professional honors and awards, she received the Fray Atanasio Dominguez Award for Historical Survey from the New Mexico Historical Society in 2000 for her book on Pecos Pueblo. She also has published extensively on New Mexico history and archeology and is an active contributor to numerous professional associations and committees.

Palace Intrigue 

In the fall of 2016, the New Mexico History Museum embarked on a preservation project—to remove the existing stucco that covers the building walls surrounding the Palace courtyard. The History Museum staff and preservation team responsible for the work felt anticipation, excitement, and maybe a little trepidation over what new secrets might be revealed by exposing the adobe walls for only the second time in more than one hundred years. (more…)

Stephen S. Post (opens in a new tab) is is a former deputy director for the Office of Archaeological Studies, a division of New Mexico Department of Cultural Affairs, where he worked from 1976–2011. He worked as a ceramic analyst and field technician for the School for Advanced Research (SAR) Contract Archeology Program in 1983–1984 and authored a study of the SAR campus in 2011. His experience encompasses 12,000 years of New Mexico’s rich past. Between 1994 and 2011, he directed advance archaeological excavations for Santa Fe’s public and private projects, including the New Mexico History Museum, the Santa Fe Community Convention Center, Santa Fe Railyard, and Las Campanas de Santa Fe, among others.

Defining Moments

By BESS MURPHY
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Bess Murphy is the Luce Curator of Art and Social Practice at the Georgia O’Keeffe Museum in Santa Fe, New Mexico. Prior to joining the O’Keeffe, she served as the Creative Director and Curator at the Ralph T. Coe Foundation for the Arts. She has taught Art History and Museum Studies at the Institute of American Indian Arts and the Santa Fe University of Art and Design, and has held positions at galleries, museums, and art centers as well as alternative artist-led art spaces. Murphy holds a BA in Art History from Bard College, an MA and PhD in 20th-Century American Art History from the University of Southern California.

Misunderstood, Maligned, and Divine

BY LAURA ADDISON
SOME PEOPLE CONSIDER tramp art one of the homeliest dust-gatherers that the human mind and hand have concocted,” Michael Cornish noted in a 1993 essay titled “Tramp Art: A Personal Appreciation.”  (more…)

Laura Addison is curator of North American and European folk art at the Museum of International Folk Art. She was previously curator of contemporary art at the New Mexico Museum of Art (2002–13), and is a frequent contributor to El Palacio.

Happiness Projects

JODY NARANJO WITH ANDREW JOHN CECIL
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Andrew John Cecil (opens in a new tab) served as a guest curator for Jody Naranjo: Revealing Joy, at the Museum of Indian Arts and Culture. His work as sculptor has been exhibited nationally and internationally. He divides his time between Santa Fe and his sculpture studio in Roswell, New Mexico.